count basie instrument

A few months later, Basie quit MCA and signed with the William Morris Agency, who got them better fees.[51]. Count Basie: New Testament Band. [58] They played to a crowd of 15,000. The famed composer ("One O'Clock Jump", "Two O'Clock Jump", "Jumpin' at the Woodside"), pianist, songwriter and bandleader began as an accompanist to vaudeville acts. As with "Willow Weep for Me" (SCCJ II/13), the "A" section of the AABA form sounds deceptively like a blues (because the harmony moves to IV in the fifth bar).32-bar AABA: He married Catherine Morgan on July 13, 1940 in the King County courthouse in Seattle, Washington. Basie was a member of Omega Psi Phi fraternity. On the West Coast, in 1942 the band did a spot in Reveille With Beverly, a musical film starring Ann Miller, and a "Command Performance" for Armed Forces Radio, with Hollywood stars Clark Gable, Bette Davis, Carmen Miranda, Jerry Colonna, and the singer Dinah Shore. "[16] He met Fats Waller, who was playing organ at the Lincoln Theater accompanying silent movies, and Waller taught him how to play that instrument. The new band included: Paul Campbell, Tommy Turrentine, Johnny Letman, Idrees Sulieman, and Joe Newman (trumpet); Jimmy Wilkins, Benny Powell, Matthew Gee (trombone); Paul Quinichette and Floyd "Candy" Johnson (tenor sax); Marshal Royal and Ernie Wilkins (alto sax); and Charlie Fowlkes (baritone sax). Throughout his tours, Basie met many jazz musicians, including Louis Armstrong. [37] Soon, they were booked at the Roseland Ballroom for the Christmas show. Basie occasionally lost some key soloists. In the early 1970s, after a series of short-term affiliations, Basie signed to Pablo Records, with which he recorded for the rest of his life. He constantly parried Chick's thundering haymakers with tantalizing runs and arpeggios which teased more and more force from his adversary. April 08, 2017. Their "Moten Swing", which Basie claimed credit for,[23] was widely acclaimed and was an invaluable contribution to the development of swing music, and at one performance at the Pearl Theatre in Philadelphia in December 1932, the theatre opened its door to allow anybody in who wanted to hear the band perform. [5][6], The best student in school, Basie dreamed of a traveling life, inspired by touring carnivals which came to town. [28], At the end of 1936, Basie and his band, now billed as "Count Basie and His Barons of Rhythm," moved from Kansas City to Chicago, where they honed their repertoire at a long engagement at the Grand Terrace Ballroom. [55] The war years caused a lot of members turn over, and the band worked many play dates with lower pay. The big band era appeared to have ended after the war, and Basie disbanded the group. Many other bands later adapted the split tenor arrangement. Who was Count Basie's main piano influence? Basie studied music with his mother and was later influenced by the Harlem pianists James P. Johnson and Fats Waller, receiving informal tutelage on When Moten died, the band tried to stay together but couldn't make a go of it. Full name, William James Basie; born August 21, 1904, in Red Bank, N.J. ; died of pancreatic cancer, April 26, 1984, in Hollywood, Fla.; ashes interred at Pine Lawn Cemetery, Farmingdale, N.Y.; son of Harvey (a gardener) and Lillian (a domestic; maiden name, Childs) Basie; married Catherine Morgan (manager of Count Basie Enterprises), July 1942; children and adopted children (some informally): Diane, Aaron, Woodward III, Lamont Gilmore, Rosemarie Matthews, Clifford. Other notable recordings were with Sammy Davis Jr., Bing Crosby, and Sarah Vaughan. Hammond introduced Helen Humes, whom Basie hired; she stayed with Basie for four years. Around 1920, Basie went to Harlem, a hotbed of jazz, where he lived down the block from the Alhambra Theater. Count Basie Jazz pianist William "Count" Basie is an American jazz pianist, organist and jazz orchestra conductor. He stayed in the Midwestern city, at first working in a silent movie house and then joining Walter Page's Blue Devils in July 1928. He quickly learned to improvise music appropriate to the acts and the silent movies. [9] When not playing a gig, he hung out at the local pool hall with other musicians, where he picked up on upcoming play dates and gossip. Basie then formed his own nine-piece band, Barons of Rhythm, with many former Moten members including Walter Page (bass), Freddie Green (guitar), Jo Jones (drums), Lester Young (tenor saxophone) and Jimmy Rushing (vocals). However, throughout the 1940s, he maintained a big band that possessed an infectious rhythmic beat, an enthusiastic team spirit, and a long list of inspired and talented jazz soloists. Count Basie Plays, Joe Williams Sings Standards, A Swingin' Christmas (Featuring The Count Basie Big Band), NAACP Image Award for Outstanding Jazz Artist, https://en.wikipedia.org/w/index.php?title=Count_Basie&oldid=1000520606, Grammy Lifetime Achievement Award winners, Short description is different from Wikidata, Articles with Encyclopædia Britannica links, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Best Jazz Instrumental Performance, Big Band, Best Jazz Performance by a Soloist (Instrumental), Best Performance by an Orchestra – For Dancing. [45] In early 1938, the Savoy was the meeting ground for a "battle of the bands" with Chick Webb's group. In 1959, Basie's band recorded a "greatest hits" double album The Count Basie Story (Frank Foster, arranger), and Basie/Eckstine Incorporated, an album featuring Billy Eckstine, Quincy Jones (as arranger) and the Count Basie Orchestra. Fichier multi-pistes au standard General MIDI DEUTSCH : MIDI Instrumentalversion des Liedes "Splanky - Count Basie (INSTRUMENTAL)", das durch Count Basie bekannt wurde. [53] Other minor movie spots followed, including Choo Choo Swing, Crazy House, Top Man, Stage Door Canteen, and Hit Parade of 1943. [24] Undismayed by Chick's forceful drum beating, which sent the audience into shouts of encouragement and appreciation and casual beads of perspiration to drop from Chick's brow onto the brass cymbals, the Count maintained an attitude of poise and self-assurance. Basie is a part of the Big Band Leaders issue, which, is in turn, part of the Legends of American Music series. He finished junior high school[7] but spent much of his time at the Palace Theater in Red Bank, where doing occasional chores gained him free admission to performances. He spent the early '40s touring extensively, but after the U.S. entry into World War II in December 1941 and the onset of the recording ban in August 1942, his travel was restricted. When the band voted Moten out, Basie took over for several months, calling the group "Count Basie and his Cherry Blossoms. [34], By then, Basie's sound was characterized by a "jumping" beat and the contrapuntal accents of his own piano. His mother taught him to play the piano and he started performing in his teens. "Stop Beatin' Round the Mulberry Bush," with Rushing on vocals, became a Top Ten hit in the fall of 1938. When Basie took his orchestra to New York in 1937, they made the Woodside Hotel in Harlem their base (they often rehearsed in its basement). From 1929–1932, Basie was part of Bennie Moten's Kansas City Orchestra: In 1958, Basie became the first African-American to win a Grammy Award. "[27] According to Basie, "we hit it with the rhythm section and went into the riffs, and the riffs just stuck. September 28, 2017. Basie spent the first half of 1939 in Chicago, meanwhile switching from Decca to Columbia Records, then went to the West Coast in the fall. Jazz was especially appreciated in France, The Netherlands, and Germany in the 1950s; these countries were the stomping grounds for many expatriate American jazz stars who were either resurrecting their careers or sitting out the years of racial divide in the United States. Count Basie, American jazz musician noted for his spare, economical piano style and for his leadership of influential and widely heralded big bands. [17], In 1928, Basie was in Tulsa and heard Walter Page and his Famous Blue Devils, one of the first big bands, which featured Jimmy Rushing on vocals. By the end of the 1960s, Basie had returned to more of a jazz format. In 1942, they moved to Queens. Those four sides were released on Vocalion Records under the band name of Jones-Smith Incorporated; the sides were "Shoe Shine Boy", "Evening", "Boogie Woogie", and "Lady Be Good". William James (August 21, 1904 - April 26, 1984), known as Count Basie, was a jazz pianist, but also an organist and composer. Find an answer to your question count basie is known for playing which instrument tgghk tgghk 11/01/2016 History High School Count basie is known for playing which instrument 2 See answers shelbyherrick shelbyherrick Known for playing mostly the piano likableadvisers likableadvisers Answer: Sheet music is available for Piano, Guitar, C Instrument with 5 scorings and 2 notations in 5 genres. Recording Date: 1955-05-06 Leader(s): Count Basie Skill/instrument: trumpet Skill/instrument: trumpet Skill/instrument: trumpet Skill/instrument: trumpet Skill/instrument: trombone . William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. ", American jazz musician, bandleader, and composer, Los Angeles and the Cavalcade of Jazz concerts. Dropping out of school, he learned to operate lights for vaudeville and to improvise accompaniment for silent films at a local movie theater in his home town of Red Bank, New Jersey. Piano. As a result, the band was able to leave Kansas City in the fall of 1936 and take up an engagement at the Grand Terrace in Chicago, followed by a date in Buffalo, NY, before coming into Roseland in New York City in December. The orchestra was re-established commercially by the 1955 album Count Basie Swings - Joe Williams Sings (released on Clef Records), particularly by the single "Every Day (I Have the Blues)," which reached the Top Five of the R&B charts and was later inducted into the Grammy Hall of Fame. The following year, in 1929, Basie became the pianist with the Bennie Moten band based in Kansas City, inspired by Moten's ambition to raise his band to the level of Duke Ellington's or Fletcher Henderson's. False 7. [1] As he did with Duke Ellington, Willie "the Lion" Smith helped Basie out during the lean times by arranging gigs at "house-rent parties," introducing him to other leading musicians, and teaching him some piano technique. His father played the mellophone, and his mother played the piano; in fact, she gave Basie his first piano lessons. Soon after, Benny Goodman recorded their signature "One O'Clock Jump" with his band. She was born with cerebral palsy and the doctors claimed she would never walk. None of these albums attracted much commercial attention, however, and in 1962, Basie switched to Frank Sinatra's Reprise Records in a bid to sell more records. Another key recording of this period was an instrumental reading of "April in Paris" that made the pop Top 40 and … Basie's band was sharing Birdland with such bebop greats as Charlie Parker, Dizzy Gillespie, and Miles Davis. [25] The band improved with several personnel changes, including the addition of tenor saxophonist Ben Webster. He died of cancer at 79. Basie returned to New York for an extended engagement at the small club the Famous Door in 1938 that really established the band as a success. He started his professional career as an accompanist in a vaudeville, and pianists from Harlem had great influence on him. These hits made what Albert Murray (co-author of Basie's autobiography, Good Morning Blues) called the "new testament" edition of the Basie band a major success. See the Count Basie Orchestra Discography. Frank Sinatra recorded for the first time with Basie on 1962's Sinatra-Basie and for a second studio album on 1964's It Might as Well Be Swing, which was arranged by Quincy Jones. With the New Testament Basie band in full swing, and arrangements written by a youthful Quincy Jones, this album proved a swinging respite from her Songbook recordings and constant touring she did during this period. [43] Durham returned to help with arranging and composing, but for the most part, the orchestra worked out its numbers in rehearsal, with Basie guiding the proceedings. [63] Down Beat magazine reported, "(Basie) has managed to assemble an ensemble that can thrill both the listener who remembers 1938 and the youngster who has never before heard a big band like this. https://www.answers.com/Q/What_instrument_did_Count_Basie_play "Big Name Bands, Singers in 'Cavalcade of Music' Sept. 23", “Basie, Jordan, Prado Top Jazz Cavalcade” Article, "Sugar Chile" Robinson, Billie Holiday, Count Basie and His Sextet, National Society for the Prevention of Cruelty to Children, Count Basie Presents Eddie Davis Trio + Joe Newman, Count Basie Jam Session at the Montreux Jazz Festival 1975, Count Basie Meets Oscar Peterson – The Timekeepers, Sugar Chile Robinson, Billie Holiday, Count Basie and His Sextet, "On This Day: Count Basie, 79, Band Leader And Master of Swing, Dead", "Jackie Wilson & Count Basie – Manufacturers Of Soul at Discogs", "Manufacturers of Soul by Jackie Wilson : Reviews and Ratings", "Horacio "El Negro" Hernandez To Be Awarded Honorary Doctor of Music Degree From Berklee College of Music", "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire", "Count Basie, Jack Nicholson, Les Paul make New Jersey Hall of Fame", "2005 National Recording Registry choices", The Count Basie Orchestra official website, International Jose Guillermo Carrillo Foundation. 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